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Simply to “mend” or “shine” him up is not drastic enough; instead God should take him by “force, to break, blow, burn” in order to help him “stand” and be made “new” (lines 3-4). Here he begins in the Italian form abba abba, but his concluding idea in the third quatrain bleeds over into the rhyming couplet (cdcd cc) that completes the poem. Please log in again. The speaker wants to suffer by being beaten down in his present life so that he will be deserving of the everlasting salvation that is promised after death. As yet but knock, breathe, shine, and seek to mend; That I may rise and stand, o’erthrow me, and bend. Divorce me, untie or break that knot again. Nevertheless, the lyrical voice feels engaged to Satan, “But am betrothed unto your enemy”, and asks God to take him out of their arrangement, “Divorce me, untie or break that knot again”. Batter my heart, three-personed God, for you. The speaker also leaves us with multiple meanings in the word “ravish.” Ravish can mean rape, forcibly carry off, or overwhelm with wonder. The poem form is variation on a Petrarchan sonnet that ends with a rhyming couplet. Julieta has a BA and a MA in Literature and joined the Poem Analysis team back in May 2017. They had twelve children. The octet depicts the lyrical voice’s demands towards God. Holy Sonnet 14 is part of a larger series of Holy Sonnets that Donne published in the early 1600s. 5 Dec 2012. Thank you for reading our analysis. Please support this website by adding us to your whitelist in your ad blocker. The word “again” is interesting because it means that either the speaker is asking for God’s help again, or is referring to a time when God had to break a similar tie, perhaps referencing the Bible? The last six lines rhyme CDCE EE, the couplet not being typical of Petrarchan sonnets. Your force to break, blow, burn, and make me new. Nevertheless, there are certain modifications, such as rhythm and structural patters that are a consequence of the influence of the Shakespearean sonnet form. But captivated, and proves weak or untrue. GradeSaver, 10 June 2012 Web. <, http://www.luminarium.org/sevenlit/donne/donnebio.htm, Batter my heart, three- personed God; for you. The poem’s turning point occurs when the speaker states that he wants to let God enter, but admits to succumbing to the “enemy” who we can assume to be the Devil. This extreme use of paradox is characteristic of much of Donne’s poetry and of metaphysical poets in general. By 1615 he became a priest because King James I ordered him to do so. The poet uses this dissonance of ideas to point out just how holy—in this case, otherworldly and spiritual in a carnal world—God truly is. The lyrical voice is having trouble showing his/her faith because his/her thoughts, reason, have turned on God (“Reason, your viceroy in me, me should defend,/But is captived, and proves weak or untrue”). Thank you for your time and sharing. It is through advertising that we are able to contribute to charity. Cranach the Elder, Lucas. Ads are what helps us bring you premium content! Gordon, Todd. The harsher possibilities are brought up in line 4. Summary and Analysis Sonnet 14 Summary Sonnet 13 depends on an intimate relationship between the poet and the young man that is symbolized in the use of the more affectionate "you"; Sonnet 14 discards — at least temporarily — this intimate "you" and focuses on the poet's own stake in the relationship between the two men. Knot again scheme of the world banned from the ground up, in Donne ’ s eyes, the still... It was once owned by God enthralled ” or enslaved, but Oh, to no.... 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